The impact of the Holocaust on contemporary culture has been enormous; less recognized has been the impact of contemporary culture on what we think of as “the Holocaust.” The main thrust of Alvin Rosenfeld’s “The End of the Holocaust” is to examine ways in which popular culture has influenced Holocaust awareness, shaping the content of historical memory and expanding its application to atrocities that had nothing to do with the murder of European Jewry. He balances his discussion of such deflective efforts with a sober analysis of how writers like Elie Wiesel, Jean Améry, Primo Levi and Imre Kertész focus our attention back onto the killing reality of the catastrophe, and its influence on what some of them somberly refer to as “life after Auschwitz.”
Read the whole review in The Forward.